From Terry Teachout’s column today on the ban on James Levine’s recordings at the Met’s radio channel:
… Perhaps it doesn’t matter all that much that the Kennedy Center has hosed Mr. Cosby’s name off its increasingly trivial roll of pop-culture sycophancy. But Met Opera Radio did something far more consequential when it chucked Mr. Levine’s historic recordings into the memory hole, an act of suppression that bears a distant but nonetheless definite resemblance to book-burning. By doing so, it effectively declared that great musicians must also be good men—a position that can be defended only by the tone-deaf.
Read on here.