BBC forgets its own chief conductor

BBC forgets its own chief conductor


norman lebrecht

December 31, 2017

BBC News has published an online 2017 death roll of arts and entertainments people.

Among the notable omissions is Jiri Belohlavek, chief conductor of the BBC Symphony Orchestra, 2006-12.

Just when you thought BBC News could get no dumber.




  • Ricardo says:

    Yep, pretty stupid…
    And, being a British publication, it is unforgivable to leave out John Wetton, Allan Holdsworth and Phil Miller.

  • Dave says:

    These “entertainment” philistines would probably have no idea who Jiří was. I’d hope the BBCSO management tell them what’s what.

    • Ellingtonia says:

      So a classical musician is more important than an entertainer, the first may “entertain” thousands in his lifetime, the second may give pleasure to millions in their lifetime. So, who is more worthy? And lets face it a conductor doesn’t really do a great deal, most orchestras these days could play perfectly well with out one. As regards the entertainers, I have no strong feelings one way or the other about them, but the sheer arrogance and snobbishness of the “classical fraternity” is beyond the pale at times. Wait now for that eminent composer JB (whose work is hardly performed……..which tells you something) to launch forth one of his diatribes!

      • Dave says:

        Well, if you think “a conductor doesn’t really do a great deal, most orchestras these days could play perfectly well with out one”, then we’d better just leave it there.

      • buxtehude says:

        For Ellingtonia: The conductor is by far the most important member of the orchestra, unless during a concerto, when the soloist (depending on her stature, experience, confidence, inclination) takes on many of the conductor’s functions, such as choosing and varying the tempo, dynamics, phrasing… It’s the conductor who keeps an orchestra together, at the most basic end, discovers beauty in the score, at the highest, and somewhere in-between, energizes it.

        Don’t be fooled just become the conductor doesn’t actually make a sound.

        • Morello says:

          Oh my. You’re not an orchestral musician are you, Buxtehude? Just guessing!

        • Morello says:

          “It’s the conductor that keeps an orchestra together”

          It’s so much more complicated, I barely know where to start. Indeed, in some cases, the musicians are forced to look elsewhere, anywhere, such is the ineptitude of some conductors. Such concerts are little more than an exercise in damage limitation, and I have gritted my teeth many times as Maestro accepts the glory in front of his weary band.

          A good orchestra plays together via an extraordinary and mysterious alchemy, in which only a tiny part is played by their conductor. I’m talking about ensemble here, rhythmic togetherness. Performances can ebb and flow as musicians react to each other. Tempos can slow or pick up with no obvious cause, a bit like the M25. Conductors don’t really influence this stuff. The really good ones can dominate and control, and really create magic……but don’t make the mistake of crediting them with the basic nuts and bolts. It just doesn’t work like that!

          • buxtehude says:

            If I’d written, “keeps them together — or not” would I be closer to the truth? You certainly know much more about this than I do, but I was arguing for the importance of the position, for good or ill.

            I’ve seen many a chamber orchestra performance that looked as if it could function on its own, with a designated beat-keeper, but once you’ve a really big group, playing romantic music in simultaneous multiple rhythms, don’t you need at least a dedicated traffic cop?

            Mainly I notice conductors as brands that provide what I like or not. I grew into this idea, figuring it out for myself by comparison, not knowing anyone’s reputation. Claudio Abbado captured me, for example, I could see clearly and at least partly hear the intensity and love he generated, as well as loving his readings. J E Gardiner, there’s another one. I could go on.

            So if someone writes that a conductor is of no importance, these are the kind of the things that come to my mind.

            Tell us some of the ways you’d like see things improved.

        • Morello says:

          Sorry for the delay in replying to this. Yes, I may have got a bit carried away – I apologise! Of course a ‘traffic cop’ is needed in the repertoire you mention, not least to start and stop together, but you’d be amazing how many fail even to accomplish that and are rescued by their players. For me the greatest conductors are not only highly skilled but entirely lacking in ego……for them it is all about the music, and bringing out the best in the musicians. The worst ones are incompetent and so full of their own importance that their shortcomings are only apparent to their beleaguered players. I think your example of Abbado is a good one – a true artist, with humility. A little humility goes a very long way!

  • Henry says:

    Allan Holdsworth was the greatest electric guitarist that walked this planet!

  • Stephen Hayford Morris says:

    And what about Segovia and John Williams and Julian Bream