A year after he stopped playing with a severe movement disorder, we hear at first hand that Milos Karadaglic has taken up his guitar again and will be back on stage in recital in the spring of next year.
Even more encouraging, Milos has started practising the first of two concertos that have been written for him and that he will perform in the next couple of years.
It is not many performers of whom it can be said that without them an instrument falls silent. But Milos is such a towering figure in classical guitar that his presence is desperately needed to give the instrument back its profile.
This is very, very good news.