A seminal lecture from the Deal Festival by Richard J. Hallam, past president of the Incorporated Society of Musicians.

Sample content:

Look at what is supposed to happen in primary school. Children in Key Stage 1 (5 to
7 year olds) should be taught to:
• use their voices expressively and creatively by singing songs and speaking
chants and rhymes
• play tuned and untuned instruments musically
• listen with concentration and understanding to a range of high-quality live and
recorded music
• experiment with, create, select and combine sounds using the inter-related
dimensions of music.

And in Key Stage 2 (7 to 11 year olds): Pupils should be taught to sing and play
musically with increasing confidence and control. They should develop an
understanding of musical composition, organising and manipulating ideas within
musical structures and reproducing sounds from aural memory.
Pupils should be taught to:
• play and perform in solo and ensemble contexts, using their voices and
playing musical instruments with increasing accuracy, fluency, control and
expression
• improvise and compose music for a range of purposes using the inter-related
dimensions of music
• listen with attention to detail and recall sounds with increasing aural memory
• use and understand staff and other musical notations
• appreciate and understand a wide range of high-quality live and recorded
music drawn from different traditions and from great composers and
musicians
• develop an understanding of the history of music.
Is this a picture you recognise? Is this happening in the schools you know? Are
these the experiences young people are getting now? In some places the answer is
a resounding ‘yes’. This is why we have some of the best music education in the
world. But as report after report states, the situation is patchy. If, as I am proposing,
music education is vital to humans, what can we do about it? We can be clear who is
responsible and hold them to account. I don’t believe anyone sets out to do a poor
job. We have to find constructive and supportive ways to bring about change.

Read the full lecture here.

 

From the Lebrecht Album of the Week:

Walton is very much an on-off composer. What’s remarkable about this recording is that the performance transcends his shortcomings.

Read on here.

And here.

And here.

Federico Colli, 2012 Leeds Piano Competition winner, has signed on with Elisa Patria at Cami Europe.

He already has a record contract, with a debut release due on Chandos in the Spring.

From the BSO press office:

At the advice of his doctors, Maestro Christoph von Dohnányi regrets that he cannot appear with the Boston Symphony this summer at Tanglewood. He is continuing to heal from a fall he suffered earlier this year and looks forward to leading the BSO as scheduled in November.

His replacements are David Zinman and Juanjo Mena.

 


Photo: Roland Magunia/ Senatskanzlei Hamburg

The Duchess of Cambridge conducted the Hamburg Symphoniker at the Elbphilharmonie this morning.

We think it’s the first time she has been seen with baton in hand.

 

 

She’s going to be Bobbie, in a scheduled London production.

Rosalie Craig will play the New Yorker on the loose.

Read here.

From our diarist, Anthea Kreston:

 

Today I am flying to Aarlborg, Denmark from Munich. It was easier for our family to drive up from the Dolomites, stay together one night in Munich and for them to continue driving up to Berlin while I fly from Munich. 

We enjoyed our breakfast buffet in Munich (I was later so happy to have “packed” a cheese and red pepper sandwich from the breakfast, after I paid a painful 8 Euros for a water and black coffee at the airport), I walked them to the car, said goodbye for two days, and hunkered down at the hotel to practice until the cleaning people banged down my door and demanded I leave. 

I put my practice mute on and started from the most dangerous spots of the quartet concert repertoire for tomorrow. I was only able to practice until 11:35, but I got the basics down – 5 times slowly through my hardest 6 sections, tuning some tricky bits, and a playthrough of a finger-twister of a scherzo by Schumann (love that guy, but man oh man that stuff just wasn’t made for a stringed instrument! Clara – you could have thrown us a bone here!).

I headed to the S-bahn, taking it to the airport, hoping to go standby on the 14:05 through Amsterdam which would get me to Aarlborg by 17:05. I would love a leisurely dinner in Denmark followed by a long walk and another practice session!  But, the stars were not in my favor and I faced the better part of the next 6 hours inside the airport. 

I went through security and started my survey of the area. In the States, you can always find a way to plug yourself in – they have random outlets here and there – by the bathrooms, by the counters, in little kiosks. But not here – it is like they scrubbed the area of any way of stealing a couple of % for my myriad of electronic obsessions. 

But – I have a keen eye, and time was on my side. I looked high and low – and found one, slightly gimpy outlet tucked behind a row of chairs. Now I quickly staked out my territory – plugging in, dragging over something that would suffice as an ottoman, and spreading my stuff all over the adjoining chairs as to make it extremely unattractive to sit near me. Paradise. And – to make it even better – I am next to a row of huge windows and can enjoy a sunbath – and the coffee place is within eye range of my seat (no way am I going to give up the only outlet in this entire area!).

So – now what?  5 1/2 hours to go.  Settle in. I started with a number of obsessively detailed (and, I am fully aware, bound to be ignored) lists to my husband of everything he could do at the house and what I need packed or done while he is home for that 36 hours.  When I packed my backpack a couple of weeks ago I didn’t realize that I wouldn’t be returning home before heading to the States, so anything that gets into a suitcase is in Jason’s already full hands. 

Then I moved on to answering important emails (we are turning around our Oregon vacation home for a new renter – scheduling carpet and upholstery cleaning, lawn care, ordering all new linens and towels to be delivered to my friend who watches the house, signing and sending the new lease, having the gutters repaired and garage door undented), checking on our bank and credit cards in the states and our retirement and utility payments, making travel and car rental plans for our upcoming trip to the States, dealing with quartet and university details, reading every single article on today’s NYT app, then eventually moving on to  stale Whatsapp messages, and finally to end in the black hole of Facebook. 

Eyes smarting from lack of blinking/moisture guided me towards the first of my rejuvenating caffeine infusions, as I nervously eyed my prized plug, even choosing the slow line to stay close, ready to shoo off any circling buzzards. 8 euros later, water and black coffee (surrounded by about 1 million creamers) balancing on my tray (this will help my general slovenly plan for my claimed area), I settle down for a nice, long Google Calendar session, triangulating quartet, personal, university, kindergarten/2nd grade, and Jason’s orchestra schedule with a tidy, notification-filled and color-coded family calendar (quintupleating?).  Feels like I just went to the dentist for a full go-around. A minty-fresh family calendar! I unwrapped my stolen sandwich from this morning’s breakfast buffet, and slid down, iPad-pro and iphone double plugged and propped up for a nice long meaningless entertainment session. 

But wait – I don’t even have earphones. Ok – I can be more productive here. Email the manager for the most up-to-date official quartet calendar (through 2019), and update the website. I usually do this on my Mac laptop, but I can try on the IPad Pro.  The only problem – this website is oldschool. Luckily, I taught myself HTML (coding language) about 17 years ago – remember when we had to build our websites from the ground up, the 6 digit color code, the <tr> and <b> etc – one mis-type and your whole site ends up disappearing or stretching super long and thin and being the color of over-ripe eggplant?  But, as I try to cut-and-paste the calendar code (each calendar entry is about 16 lines long of code, relating to font, location, content, and a specific order in order to bounce to the proper location on the website, and it has to be done twice – once in English and once in German), I realize that my IPad Pro won’t copy and paste in the Source page. I take a photo of the code with my phone, retype the whole code in notes, and try to copy past into the source.  No how, no way. 

Oh well, I guess I will just have to be unproductive. A call comes in from Jason – they are at a rest stop and he wants the girls to be able to watch a Lego movie for the last leg. How to get the stick to work, select the right program to play the pirated copy of the movie (I am a bit of a tech nerd – not that I am good at it, but suffice it to say that I won’t be paying for watching Game of Thrones this week, and that I can’t wait to replace Jason’s cracked iPhone screen when we get to Washington).

Ok – the dilemma – continue reading my Leonardo Da Vinci biography (really great read – and thank you, Amy Yang, for my gift of the self-winding Da Vinci-invented wall clock you bought for me in Venice), study my German, or buy earphones and try to (somehow) make the teeniest headway in digging myself out of years of being behind at shows like House of Cards, Orange is the New Black, the Americans, Transparent, Girls, and Game of Thrones.  It’s nearly impossible to have a decent conversation with an American teenager these days – I scrape by on years-old Westeros news. Oh boy am I behind schedule here! Talking about any of the three Baratheon-Lancaster children will only illicit scoffs – that is so last year – Get it together, Girl!

One more over-priced coffee, and the cheapest ear buds put me into utter joy as I watch an episode of “Orange is the New Black” in 6 minute increments, bookended by having to re-up my free airport wireless. Pure Joy!

But wait – my flight is delayed.  They are asking for volunteers and saying only one carry-on – I head to the new gate, ready to check my small backpack and hold on to dear life my beloved Testore violin (1710), carrying my iPad Pro in my hand, my pockets overstuffed with wallet, passport, and other vitals (that second stolen sandwich making my gait slightly uncomfortable).  

I hope I can make my second leg from Amsterdam to Aarlborg. If not, tonight I will be attempting a work-around for Game of Thrones from an airport hotel in Amsterdam! 

Post-note – arrived safely last night in Spokane after 5 flights, all terribly close connections. We missed America – went out to pancakes this morning, then to Goodwill, and spent the afternoon swimming in a lake….

 

Opera Connecticut President Rowna Sutin presents THE AMERICAN OPERA IDOL award to AOI 2017 winner Andrés Moreno García.

Andres has been accepted as a member of the international opera studio at Staatsoper Unter den Linden for the coming two seasons.

He’s from Monterrey, in Mexico.

 

The Bournemouth Symphony Orchestra is taking a financial hit on a Proms in the Castle at Powderham on Sunday July 30. The event was cancelled after its promoter Stephen C Associates Ltd went into liquidation on Wednesday.

Aside from not receiving its hire fee, the BSO will refund concertgoers who bought directly from the orchestra. That’s lose-lose.