Label news: Kissin cuts a deal

After an absence of quarter of a century, the Russian pianist has returned to Deutsche Grammophon with a new contract and a Beethoven sonata set.

photo: DG/Johann Sebastian Haenel

press release:

After a break of 25 years, legendary pianist Evgeny Kissin has signed a new exclusive contract with Deutsche Grammophon. His discography already contains landmark recordings for the Yellow Label, critically acclaimed collaborations with the Berliner Philharmoniker, Herbert von Karajan and Claudio Abbado among them, and the association between artist and label resumes with the release of a new Beethoven album in August.

The double-disc set, its programme personally chosen by Kissin from recitals given over the past decade, includes Beethoven’s Piano Sonatas No. 14 Op. 27 No. 2, ‘Moonlight’, No. 23 Op. 57, ‘Appassionata’, and No. 26 Op. 81a, ‘Les Adieux’. It also comprises the evergreen 32 Variations in C minor WoO 80 and a profound exploration of the sublime two-movement Piano Sonata No. 32 Op. 111, the composer’s final work in the genre. The album, Kissin’s first solo recital recording in more than a decade, represents a major addition to his Beethoven discography and an essential document of his artistic development.

“These recordings were made in the moment of performance,” observes Kissin. “Live recordings always surpass studio albums for me, because I feel more inspired when playing for an audience. It means a lot to me to be able to share the spirit of that live experience with others.”

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    • His recording of the work for EMI, with Ashkenazy and the Philharmonia, is excellent. It is coupled with the 3rd.

  • I wish that he will do a complete Stockhausen Klavierstuck cycle on the label, or perhaps some William Schuman. Heck, I’d even settle for some Ralph Shapey from him. Does he even play any contemporary music anymore?

  • Beethoven, again? Ennui. Music being such a found treasure, one would think that with such time away his interests could have found richer quarters.

  • I hope he can release some of his live Liszt – I recall his all-Liszt recital at Carnegie Hall some years ago (including the B minor sonata) that was simply phenomenal. And maybe his Brahms concertos with Levine conducting …

  • does anyone know why DG would care so little about him but has so much interest in Yuja Wang or Yundi Li? this is really baffling.

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