We regret to report the death of Georges Pretre, an elegant French conductor who was popular wherever he went – nowhere more so than Vienna, which adored him.
He died this afternoon, at home in France.
Raised in northern France, Georges was director of the Opéra-Comique in Paris from 1955 to 1959. He was a stalwart of Chicago’s Lyric Opera, 1959 to 1971, and was music director of the Paris Opéra for one season, 1970-71. He was principal conductor of the Wiener Symphoniker from 1986 to 1991. He was a regular at La Scala (see below).
Mostly he freelanced around the world’s leading opera houses, giving fun and having it. He was the acme of French style in all that he did, with an infallible sense of rhythm.
In terms of leaving a mark on music history, he gave the world premiere of Poulenc’s La Voix humaine.
His farewell performance:
From La Scala:
Georges Pretre, one of the greatest conductors of our time, had a fifty-year relationship with La Scala. He made his debute in 1966 conducting a legendary production of Gounod’s Faust with Mirella Freni, Nicolai Gedda and Nicolai Ghiaurov, directed by Jean-Louis Barrault. Two years later he led Turandot directed by Margherita Wallmann, and, a few days later, Die Walküre with Régine Crespin and James King. In 1969, Roméo et Juliette by Berlioz with Liliana Cosi in the choreography of George Skibine, in 1970 Sanson et Dalila in Saint-Saëns with Shirley Verrett and Pier Miranda Ferraro in 1972 with Carmen Fiorenza Cossotto, in 1973 and 1977 Pelléas et Mélisande by Debussy directed by Gian Carlo Menotti in 1975 in Puccini’s La bohème, directed by Franco Zeffirelli with Luciano Pavarotti and Ileana Cotrubaş, in 1976 Massenet’s Werther with Alfredo Kraus and Elena Obraztsova, Madama Butterfly in 1978 and immediately after Manon Lescaut by Puccini with Sylvia Sass and Plácido Domingo in a direction of Piero Faggioni. In 1978 Ravel L’enfant et les sortileges and L’heure espagnole; back in 1981 for Cavalleria rusticana and Pagliacci, directed by Zeffirelli with Domingo and Obraztsova and in 1982 for Les Troyens by Berlioz in the direction of Luca Ronconi. The last operatic commitments of Prêtre at La Scala were Turandot directed by Keita Asari in 2001 and Pelleas et Melisande directed by Pierre Médecin, but he continued to give countless concerts with the orchestra.
His last, triumphant concert took place on 22 February 2016. Georges Pretre was due to return to the podium for the Symphonic Season of the Teatro alla Scala on 13, 15 and 17 March 2017.