The December issue of the German magazine Das Orchester presents three contrasting viewpoints on the prospects for subscription series. In the US, the model is on its last legs as concertgoers shift to last-minute purchases.
In Europe, according to Das Orchester, it has always been resented as an American gimmick and is now dying in many cities, except for Berlin where late tickets can be hard to land.
So what’s next?
You’ll have to buy a copy of Das Orchester. The content is not online.