The cover story in Das Orchester this month is about new musical realities in the world’s largest market for classical music. Or as the sub-head puts it: More musicians, fewer jobs, what to do?
Germany has seen an influx of musicians from other EU countries, notably Romania and Poland. German musicians and audiences are concerned that the character of their culture is being changed by the EU’s hallowed principle of free movement of labour.
Free market, or grey market? That’s the big question.
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