New album by Dmitry Hvorostovskymain
The great Siberian baritone, who is undergoing treatment for brain cancer, releases a new recording next month of Russian operatic arias.
You can listen to a sample track here.
press release: NEW YORK, NY – On August 12, 2016 Delos releases Dmitri Hvorostovsky Sings of Love, Peace, War and Sorrow [DE 3517], a new recording featuring the internationally acclaimed baritone performing opera arias and scenes by Tchaikovsky, Prokofiev, and Anton Rubinstein – two of which Hvorostovsky has never before performed on stage: Tomsky from The Queen of Spades and the title role of Mazeppa.
Led by conductor Constantine Orbelian with the State Symphony Orchestra of Russia as well as the “Evgeny Svetlanov” Helikon Opera Chorus, the recording also features several guest artists: internationally acclaimed Lithuanian soprano Asmik Grigorian, (the latest recipient of the prestigious International Opera Award as Young Female Singer of 2016), mezzo-soprano Irina Shishkova; bass Mikhail Guzhov, tenor Igor Morozov, and countertenor Vadim Volkov.
The recording begins with the opening scene from Prokofiev’s War and Peace with sopranos Asmik Gregorian and Irina Shishkova. The program continues with four arias from three beloved Tchaikovsky operas: Mazeppa’s aria (“O Mariya, Mariya”) from Mazeppa; Roberto’s aria (“Kto mozhet sravnitsja s Matildoj moej”) from the composer’s final opera Iolanta – plus two selections from The Queen of Spades, including Tomsky’s ballad (“Odnazdy v Versale, au jeu de la Reine”) withMikhail Guzhov (Surin), and Igor Morozov (Chekalinsky); and Tomsky’s song (“Yesli b milyye devitzy”). The latter two arias from Tchaikovsky mark a departure for Hvorostovsky. For years he was known for his performances of Prince Eletsky in The Queen of Spades – but in this recording, he takes on the other baritone role, that of the conniving and coldhearted Count Tomsky. The album’s closing selection is the sixth and final scene from Anton Rubinstein’s rarity, The Demon. Hvorostovsky had long wanted to perform the opera’s title role, and finally got the chance to do so in 2015, in a semi-staged Moscow production co-starring soprano Asmik Gregorian as Tamara – an event that was broadcast live on Russian television.