Elisabeth Braw asks some pertinent questions in The Economist:
Does Oman need one? And what about Dubai, traditionally an Arab trading town? Performing opera in countries that are not part of the Western cultural history may be cultural imperialism initiated by the countries’ rulers rather than an enlightened offering to their residents. And in the case of Dubai, the opera house may further accelerate the emirate’s shift from commercial centre to expat hub: foreigners already make up 80% of the population.
Read on here.