Semyon Bychkov: What a conductor does

An educative essay, from the ROH.

‘I have to become them in the moment they are involved in the performance.’

bychkov

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  • Very sympathetic and very much to the point….: leading by sharing. That brings about better results with the players than merely authoritarian stamping them on the head.

    • It should, but not all orchestra musicians like to be given responsibility. Anyway, surely you have to hold people accountable to the standard you expect them to have, not the standard they necessarily demonstrate.

      • Don’t know what your beef is. Whatever bad blood there was between these two talented siblings, we may never know. However, I heard Kreizberg conduct several times, both with the L.A. Philharmonic and as a replacement on tour with the Philadelphia. With the former, he did the most amazing performance of Bernstein’s “On the Waterfront” Suite. With the Philadelphia, it was an incisive, propulsive take on Tchaikovsky’s 6th Symphony. Unforgettable concerts!. And, his work with the wonderful Julia Fischer is indelible. I’ve never read a bad word about him. He is missed.

    • Totally agree NYMIKE. As a New Yorker myself I can only pray the NY Phil will pick him. Wishful thinking I’m afraid. Adore Bychkov!

  • He’s one of the most expressive conductors active today. His gestures speak, his energy passes on to the players and inspires them.

  • He was my first conducting teacher during the summer of 1977 when he was teaching at Mannes. He taught me so much about conducting that summer.

  • What a great conducting musician he is himself! And so sad that these beautifully phrased basic principles are obviously quite far from being common knowledge in his profession.

  • His recent interpretations of Schmidt’s 2nd Symphony with the Vienna Phil were underwhelming, but he has success in other pieces. A good communicator too.

  • He is without a doubt a very fine musician and I enjoyed working with him on numerous occasions. But I must admit that his insistent referring to orchestral musicians as “them”, as if it is some kind of adversarial relationship, bothers me a little bit in this video.

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