In an insert to the programme book of a pair of Vienna concerts that he was forced to cancel through illness, Nikolaus Harnoncourt has announced that he is stepping down as head of the Concentus Musicus and will not appear again on the concert stage.
Harnoncourt, who turns 86 tomorrow (Dec 6), played cello in the Vienna Symphony Orchestra while forming his own period-instrument ensemble. He became one of the most recorded early-music conductors, branching out to direct major symphony orchestras in 19th and 20th century repertoire, all the way down to Gershwin.
A devout Catholic and devoted husband to Alice, he fostered a family feeling among players, a sense f unity rare in the often disputatious world of period practice. His recorded legacy will stand forever.
David Stark, principal double bass of the BBC National Orchestral of Wales, has sent us pictures from their recent tour of South America.
On a Jetcargo flight from Argentina to Chile, this is what baggage handlers did to the beautiful Neuner Hornsteiner bass belonging to section member Richard Gibbons.
Richard and the rest of the section are distraught.
When will airlines be held responsible for mishandling precious instruments that cannot be taken in cabin?
Tributes are coming in for Rodney Milnes, chief opera critic of the London Times from 1992 to 2002. Rodney died last night in Gloucestershire after a long illness at the age of 79.
In addition to his duties for the Times, Rodney was editor and part-owner of Opera magazine. A shy, private man, astute and with a gentle sense of humour he was universally liked and respected by his fellow-critics.
When he retired from the Times, feeling he still had much to give, I tried over a drink to hire him for the Evening Standard, of which I was assistant editor. Rodney couldn’t say no. Nor did he want to say yes. So we had a couple of drinks and left it at that, never mentioning the matter again except with the faintest of twinkles in his eye.
Fiona Maddocks called him ‘Human encyclopedia of opera, funniest of writers, kindest of friends.’
Hugh Canning tweeted: ‘RIP Rodney Milnes, the most astute & wittiest opera critic of his generation, a wonderful editor of Opera magazine & friend’.
Rupert Christiansen wrote: ‘Very sad to learn of the death of Rodney Milnes – a great critic & a kind man, who did much to help me in the early stages of my career.’
Martin Bernheimer says: ‘Rodney was unique — a brilliant, oddly self-effacing critic, an astute historian, an accomplished , ultraprofessional journalist, a great wit, a sensitive colleague and, yes, a good friend. Profound sadness.’
Mezzo-soprano Alice Coote: ‘Witty,elegant,sensitive,honest truthful. Glad I grew up reading his words & what was possible.’
Rodney was an ultra-fastidious, thoroughly decent man, dedicated to his art and his craft. In recent years, he withdrew to Gloucestershire to live close to his sister, who died earlier this year.
