Oleg Gordynets, a member of the national opera at Minsk, toured widely in western Europe. The cause of death was given as ‘heart failure’. Our sympathies to his family and colleagues.
From an interview the Tchaikovsky competition star has just given to France Musique, it doesn’t sound like labels have been banging down his door. Someone should get that Beethoven-Ravel-Medtner for posterity.
Read Lucas here (en francais).
WQXR has drawn a map of America showing the final outposts where critics are still employed.
The numbers are down from 65 two decades ago to a mere dozen today.
Scott Cantrell, the retiring critic in Dallas, says: ‘There’s no future in arts criticism as a full-time job…’
Read more and listen to the program here.
Gareth Davies, principal flute of the LSO, has been to see Mission Impossible: Rogue Nation. He has come away shocked – shocked, I tell you – to find a bass flute entering the orchestra for Turandot.
A bass flute? Everyone knows there isn’t one in Turandot.
A piece of Hollywood chicanery.
Anyway, once he calmed down, Gareth thought of some films with genuine flutes in them. He shares the clips here.
Feel free to add your own.
It’s August.
‘A couple from south Wales have been fined for outraging public decency by engaging in sexual activity during a concert in Hyde Park.’
The story’s here.
Rupert Pennefather, a company star for the past 16 years, is seeking his fortune elsewhere. Immediately.
This was unforeseen. Changes will have to be made to the coming season.
Official version here.
The results are in from the annual UK survey of student satisfaction.
You’ll have to look a long way down … 73rd place… to find a dedicated music conservatoire, but at least there is one, or two, in the top 100.
At 86% satisfaction, let’s hear it for Royal Northern College of Music in Manchester.
At 85%, it’s the Royal College of Music in London.
The rest must try harder.
Here’s a crowing press release from Manc.
Buzz has a fun and fairly comprehensive post by Niz Mohan on all the things that drive classical seekers up the wall when we try to get streaming or download from the main providers.
Starting right here…. with the non-violist.
Click here for the full splat-list.
The yellow label has taken a leap of faith in this October’s Chopin competition, committing to record the winner whoever he or she may be. It’s a boost for the competition, which has been overshadowed in recent years by the revitalised Tchaikovsky contest in Russia.
Press release below:
VIRTUOSO CHOPIN RECITALS, ARTIST UNKNOWN
Deutsche Grammophon and the Fryderyk Chopin Institute launch a bold strategic partnership to connect global audiences with Chopin’s music and the best of the International Chopin Piano Competition. An album of the winner’s performances at the 2015 International Chopin Piano Competition to be released on 6 November Deutsche Grammophon (DG) believes that the world’s next great classical pianist could be discovered in October in Warsaw. It has committed to releasing an album of his or her recital performances on 6 November, just two weeks after the recording of those piano recitals. That the repertoire will be virtuoso Chopin is known, because the artist will have been judged winner of the Fryderyk Chopin Institute’s prestigious International Chopin Piano Competition, following a four-stage series of recitals which begins on 3 October. The unique arrangement to release a recording from an as yet unidentified artist is part of a new creative partnership between DG and the Fryderyk Chopin Institute.
The partnership also encompasses a high-profile international PR and marketing campaign for the 2015 winner’s album. This initiative marks a strategic collaboration between the Chopin Institute, organiser of one of the world’s most prestigious classical music competitions, and DG, the leading label for classical music, aimed at promoting the Polish composer and highly talented interpreters of his works. Announced at a press conference in Warsaw on Wednesday 12 August, the partnership will be officially launched in October at the 17th International Chopin Piano Competition.
Founded in 1927, the Chopin Competition has been held every five years since 1955. It stands for the highest values in musicianship and artistry and is widely acknowledged to be the foremost competition for classical pianists, with an uncontested reputation for discovering the world’s most talented artists. The list of past winners reads like a Who’s Who of piano legends, including DG artists Maurizio Pollini, Martha Argerich, Krystian Zimerman, Yundi Li and Rafał Blechacz. Runners-up have included Vladimir Ashkenazy and Mitsuko Uchida, both signed to DG’s sister label Decca.
“This is a collaboration between two partners who are already closely associated,” notes Costa Pilavachi, Universal Music Group International’s Senior Vice President of Classical A&R. “No other contest has discovered so many top artists with such consistency over so many years and a substantial number of these world-renowned pianists have chosen to entrust their recording careers to DG. Every five years, music lovers around the world await the judgement of the Chopin Competition jury with keen anticipation and one of our goals is to present this year’s prize-winning pianist to the largest possible global audience as soon as possible after the event.”
Artur Szklener of the Chopin Institute sees the arrangement with DG as a major development for the Warsaw-based organisation and its mission to promote Poland’s music heritage. “Chopin’s art speaks to the highest aspirations of human creativity. Our aim is to share his legacy with both new audiences and existing music-lovers by presenting them with fresh, insightful interpretations of his work. Through this partnership Chopin’s timeless music is certain to attract even greater attention, and this first release will provide a wonderful artistic and professional showcase for the eventual winner of the 2015 competition.”
This year’s Chopin Competition opens on 1 October with a gala concert featuring Martha Argerich. Of the over 450 performers aged 16 to 30, from 45 countries, who originally entered the Competition, 160 were selected by the Qualifying Commission to contest the Preliminary Round in Warsaw in April. The judges then advanced a total of 84 pianists to the three final recital stages which will run from 3 to 16 October. China and Poland have the largest number of contestants with 15 each, while there are also 12 from Japan, nine from South Korea, seven from Russia, five from the United States, and three each from Canada, Italy and the United Kingdom. The top 10 pianists will qualify for the Grand Finale, to be held on 18-20 October.
DG has collaborated with the Chopin Institute on important events in the past, notably ‘Chopin Year’ in 2010 and the acclaimed ‘Chopin and his Europe’ festivals, artistically directed by Stanisław Leszczyński. The renewed partnership will also yield a commemorative, 11-CD box set, Great Chopin Pianists, slated for release in late 2015. Drawing on the riches of the DG catalogue and the Chopin Institute’s extensive archive, the box set will contain performances of Chopin works from the top-prize-winning pianists of every Chopin Competition between 1927 and 2010.
Peter Day’s World of Business has made a programme about opera funding for the BBC World Service.
Graham Spicer of Gramilano, who was involved, reports that Rome Opera was producing no more than 80 performances a year on full subsidy until everything went belly-up.
Read Graham here.
Programme details:
Thursday 13 August at 02:05, 12:05, 21:05 – Saturday 15 August at 19:05 – Monday 17 August 00:32 GMT BBC WORLD SERVICE
Thursday 13 August at 8.30pm on BBC Radio 4 for listeners in the UK.
Four years ago, two Polish sisters terrified the music world by challenging established perceptions of tonality.
A video of their LSO recording sessions at Abbey Road went up on Youtube – and down again when large numbers of musicians pointed out extreme discrepancies between their sense of pitch and that of the enterprising sisters.
What remains from those sessions is this (comments have apparently been disabled):
Well, clutch your ears dear readers, the sisters are back – and they’re making a new recording in the heart of New York. Health warning: this website takes no responsibility for apoplexy that may arise from watching the next video.
h/t: Ariane Todes
The Royal Academy of Music has appointed four singers with active careers to strengthen its vocal department.
The four are Mary Nelson, Yvonne Howard, Ben Johnson and Andrew Foster-Williams.
