Who’s running our classical social media?main
The pianist Peter Donohoe has stepped in at very short notice for Louis Schwizgebel to play the Ravel G major concerto this weekend in Leeds. The marketing people got swiftly into gear.
Here’s what happened next, in Peter’s own words:
After a tweet by my management company, retweeted by orchestra, chorus, and venue, in which Ravel’s Concerto in G minor was mentioned, the following exchange took place:
me: @PeterHDonohoe: @ikonarts @BBCPhilharmonic @LFChorus @LeedsTownHall Dear esteemed management company, Ravel’s Piano Concerto is in G major…..
At this point, the originator of the tweet, realising the mistake, took it down, and the chorus for the concert took over and tweeted:
@LFChorus: @PeterHDonohoe will perform Ravel piano concerto with @BBCPhilharmonic and @LFChorus at @LeedsTownHall on Saturday.
So far, so good. However, Ravel’s Concerto is properly entitled ‘Piano Concerto in G major’ or ‘Concerto in G’, which provoked me into tweeting:
@PeterHDonohoe: @LFChorus @BBCPhilharmonic @LeedsTownHall Don’t get it. The title is Concerto in G. Are we to hear Walton’s Belshazzar’s Bunfight in part 2?
[You see what I did there?…. Because we seemed to have a problem actually calling Ravel’s work by its proper name, I thought it would be a good wheeze to do something similar with Walton’s ‘Belshazzar’s Feast’. Clever, I thought.]
This was what came back:
@LFChorus: @PeterHDonohoe @BBCPhilharmonic @LeedsTownHall yes, Walton is after the interval.
Where would we be without social media? How did the world manage without it? What an asset to society it truly is.