I have written a reflection on the failed Berlin Philharmonic election for The Spectator, a few thoughts on cultural attitudes as well as orchestral politics.
The intense focus on the Berlin Philharmonic election was triggered by the emergence of a German candidate as music director, the first since Wilhelm Furtwängler in 1922 (Furtwängler’s 1955 successor, Herbert von Karajan, was a fly-in Austrian who overnighted at the Kempinski Hotel).
The German of 2015 — hailed by some as a man of destiny — is Christian Thielemann, Berlin born and bred, German as bratwurst in a bierkeller. German, and then some.
Read the full article here.