Arts Council claims to punish ENO while collapsing in defeat

The ACE, trying to cover up its extra grant to English National Opera, has removed the company from a national programme that is no more than its own bureaucratic contrivance. Below you will find the ACE statement, followed by ENO’s response. Compare and contrast.

 

 

Arts Council announces special funding arrangements for two organisations

12 February 2015

The Arts Council today (12 February) announces that two organisations, English National Opera and Colchester’s firstsite gallery, will not be admitted into its National portfolio of organisations for 2015-18. Instead they will be placed under special funding arrangements.

The proposed new National portfolio was announced on 1 July 2014 but confirmation of membership is subject to negotiating a funding agreement. As well as showing they will produce excellent work, all companies offered National portfolio status must demonstrate their business plans and their governance are robust enough to ensure the organisations are sustainable over a three-year funding term. In the case of these two companies the Arts Council has continuing concerns which it wants to see addressed.

The special funding arrangements with ENO and firstsite, which will run for two years, and one year respectively, will allow the Arts Council to work closely with each company as they review their business models and governance and to set rigorous milestones to monitor their progress. Entry to the portfolio at a later date will be possible, but will depend on the extent of progress made.

The Arts Council will take decisions on the future funding of both organisations following the implementation of these special arrangements.

English National Opera
ENO is offered funding for two years. The agreement will combine elements of the NPO and transition funding agreements previously proposed in July 2014. £12.38m revenue funding per year, with an additional £6.13m of transition funding, will be made available to the company over the two years to enable it to operate and make changes to its business model.

A considerable amount of work has been undertaken by English National Opera to address the challenges identified during the Arts Council’s Opera and Ballet analysis and the risks highlighted in its National portfolio application. However, a number of significant risks associated with the proposed business plan remain.

This decision has been taken following a period of working very closely with ENO on their proposed funding agreement, further detailed analysis of their business model by financial consultants and recent uncertainty about ENO’s senior leadership team.

firstsite
firstsite is offered funding for one year. The funding agreement will combine elements of NPO revenue funding (£814,517) and transition funding, to be confirmed, which will enable firstsite to operate and restructure.

This decision has been taken following a consultation period with key local stakeholders and funding partners, revised financial accounts from firstsite and an independent analysis of the organisation.

Althea Efunshile, Acting Chief Executive, Arts Council England said: “The Arts Council’s role is to ensure that we get the best value for the taxpayer’s money by investing in well run companies who delight audiences with brilliant work.

“With the very occasional exception, all the organisations we fund do just that.

“No one is doubting that ENO is capable of extraordinary artistic work but we have serious concerns about their governance and business model and we expect them to improve or they could face the removal of our funding. The challenges are similar for firstsite.

“However, we believe these organisations can inspire audiences long into the future and it is our hope and expectation that this happens.”

The National portfolio now includes of 668 arts organisations (NPOs) and 21 Major Partner Museums (MPMs). 46 arts organisations join the portfolio and 60 leave. A final list of NPOs and MPMs will be published on 31 March.

The investment in NPOs for 2015/16 will be £339.5million, compared to £341.4m in 2014/15.

-ends-

ace2

 

Arts Council announces special funding arrangement for English National Opera

Today (Thursday 12 February), Arts Council England have confirmed that English National Opera will receive £30.5m over two years as part of a special funding arrangement. This figure represents the first two years of funding requested by ENO in its original NPO application.

In 2015/16, ENO will be allocated core funding of £12.38m with an additional transition grant of £3.7m to enable the Company to move forwards with its new business model. In 2016/17, ENO will be allocated core funding of £12.38m with an additional transition grant of £2.85m.

During this period, ENO will continue to work closely with the Arts Council to demonstrate the robustness of the future business plan and improve governance. Entry to the portfolio at a later date will be possible, but will depend on the extent of progress made.

Harry Brunjes, Acting Chair of ENO states, “We are very grateful to Arts Council England for awarding ENO £30.5m over two years and thank them for their acknowledgment of our exceptional artistic programme. The ENO Board will continue to work closely with Arts Council England to inspire confidence in our future plans, the management of the Company and the London Coliseum”.

 

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  • Ellingtonia says:

    I simply dont understand why my hard earned tax is being handed out to an ‘elitist Arts organisation” There is no other genre of music that gets handouts like this and the number of people that go to watch opera is minimal on a national scale.
    I don’t recall the the Beatles, Stones or any other rock group getting a state subsidy, they had to get out and perform and generate an audience that would pay to see them and buy their records.
    For too long opera has been like a “protected species” with little or no criticism of the way it works.
    I comment as a music lover and yes an opera fan (Tristan and Isolde in Vienna), but it does seem to me that the rarified world of opera needs a “reality check.”

  • Alberto Martinez says:

    Elitist organizations receive too much fund, got no problem with that if other aspects of culture should receive as much support . Unfortunately it isn´t so . But it gives a good image , they can use it for election votes and to show how great they are at parties.

    The Beatles and The Rolling Stones funded themselves trough popular response. Let Opera companies try that,good luck with it !!!

  • Christy says:

    @ellingtonia and @Alberto – Why read a blog such as this with these opinions? You obviously do not care about the arts.

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