In March 1916, Leopold Stokowski’s performance of the Symphony of 1,000, its US premiere, pushed news of Verdun off the front pages and put the upstart Philadelphia on the world map. Next season, Yannick Nézet-Séguin will try to regenerate that excitement.

 

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Press release below.

 

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(Philadelphia, January 27, 2015)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today announce The Philadelphia Orchestra’s 2015-16 season, a year-long exploration of the famous Philadelphia Sound and the composers and artists who have been drawn to, and inspired by it, over a century of music-making.

“I am excited and inspired by our 2015-16 season, which presents multiple ways for audiences to experience the legendary Philadelphia Sound, and focuses on an important aspect of our roots, the championing and premiering of new repertoire,” says Nézet-Séguin, who will be embarking on his fourth season with the world-renowned ensemble. “We will revisit great works that the Orchestra has premiered throughout its rich history, premiere new commissions, celebrate the musical legacy of the noble city of Vienna, and collaborate with the world’s finest guest artists, eager to share in the making of this magnificent Sound.”

 

“Since his arrival in Philadelphia, Yannick has brought boundless musical inspiration to our audiences, and an astonishing vitality to the Orchestra. He is undoubtedly the consummate guardian of the legendary Philadelphia Sound, and the ideal artistic leader to propel our ensemble forward,” says Philadelphia Orchestra President and CEO Allison Vulgamore. “For the past three seasons we’ve been opening a window on the rich and venerable Philadelphia Orchestra legacy, collaborating with the most accomplished conductors and artists. With our new season, we open our programming window even further, confident that thanks to the support of our entire community, we are grounded institutionally, providing curated seasons of musical discovery together.”

 

For over 100 years The Philadelphia Sound has captivated audiences around the globe and attracted the world’s most accomplished composers and soloists—from Rachmaninoff, Mahler, Sibelius, and Stravinsky, to John Williams, Yo-Yo Ma, Lang Lang, James Levine, and more. Chief among the works embodying the Philadelphia Sound is Mahler’s Symphony No. 8 (“Symphony of a Thousand”), which received its U.S. premiere a century ago. The masterpiece will be featured prominently in the 2015-16 season along with 11 other works that received world or U.S. premieres by The Philadelphia Orchestra.

 

Other season highlights include the world premiere of a new oratorio by American composer Hannibal, commissioned by The Philadelphia Orchestra; new works for Philadelphia Orchestra principal players; a three-week festival focusing on the music of Vienna; a tribute to composer and conductor John Williams featuring cellist Yo-Yo Ma and, in a separate, special event, the composer himself; artistic collaborations with Stage Director James Alexander; as well as guest appearances from the world’s most esteemed and revered conductors and soloists. Music ranges from the Baroque and period-informed to the contemporary and includes new works and beloved masterpieces, as well as some great composers—Miaskovsky, Janáček, Casella—that have been underrepresented in the repertoire.

 

The 2015-16 season also includes the Philadelphians’ annual subscription series at Carnegie Hall plus Family Concerts and Collaborative Learning activities, holiday performances, a return to China, residencies in three summer venues, a Florida tour, and other special events.

 

2015-16 Season Highlights Overview:

¨       Yannick Nézet-Séguin assembles massive forces for performances of Mahler’s Symphony No. 8 (“Symphony of a Thousand),” marking the centennial of the U.S. premiere, which was given by The Philadelphia Orchestra and Leopold Stokowski at the Academy of Music in 1916.

 

¨       A yearlong exploration of the famous Philadelphia Sound with a dozen works that were given world or U.S. premieres by The Philadelphia Orchestra.

 

¨       Nézet-Séguin leads a three-week Music of Vienna festival in January.

 

¨       Nézet-Séguin leads the Orchestra in the world premiere of American composer Hannibal’s new oratorio, One Land, One River, One People,commissioned by The Philadelphia Orchestra.

 

¨       Principal Guest Conductor Stéphane Denève presents a two-week tribute to composer and conductor John Williams with subscription concerts featuring Yo-Yo Ma and a special one-night-only event starring the composer himself on the podium.

 

¨       Artistic collaborations with Stage Director James Alexander, including theatrically informed presentations of Handel’s Messiah conducted byYannick Nézet-Séguin and a staged, complete version of Stravinsky’s The Soldier’s Tale led by Conductor-in-Residence Cristian Măcelaru.

 

¨       A number of esteemed conductors return to lead The Philadelphia Orchestra. Conducting two-week residencies are Donald Runnicles andGianandrea Noseda. Also returning for subscription concerts are Marin Alsop, Robin Ticciati, Fabio Luisi, Vladmir Jurowski, and James Levine. Andrés Orozco-Estrada, Ton Koopman, and Pablo Heras-Casado make their conducting debuts. Bramwell Tovey returns to lead the Glorious Sound of Christmas concerts.

 

¨       Many notable soloists return, including Lang Lang, Hilary Hahn, Gil Shaham, Yefim Bronfman, Simon Trpčeski, and Hélène Grimaud.Soloists making their subscription debuts include Daniil Trifonov and Alexandre Tharaud.

 

¨       Five principal players of The Philadelphia Orchestra appear as soloists: Concertmaster David Kim, Principal Cello Hai-Ye Ni, and Principal FluteJeffery Khaner. Principal Clarinet Ricardo Morales and Principal Timpani Don Liuzzi premiere new works commissioned for them.

 

¨       Season highlights also include the Orchestra’s annual subscription series at Carnegie Hall; educational and community performances including a Family Concert series, Neighborhood Concerts, and the annual Martin Luther King Jr. Tribute; plus holiday programs and other special events.

 

 

He has announced he wants the Chicago Symphony to be first to Havana, exploiting the Obama thaw in mainland-island relations. No tour date yet, but usually what maestro wants, maestro gets.

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It’s like one of those Waiting for God nights at Los Angeles Opera.

Woody Allen opens the 2015-16 with a revival of his best-forgotten 2008 production of Gianni Schicchi. Placido Domingo, LA Opera’s general director, will sing the baritone title role. In the second half Domingo, a former tenor, will conduct a revival of Zeffirelli’s Pagliacci production.

You couldn’t make it up.

It’s like old folks in a care home saying ‘I used to be…’

 

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The Odd Couple, in 2008

We have been notified of the sad passing of Guido Ajmone-Marsan, a student of Franco Ferrara and a Solti prize winner. He was 67.

Guido conducted the BBC Cardiff Singer of the World competition in its early years, from 1991 – 1995. He was Principal Conductor of the Gelders Orkest in Arnhem (1982-86), Chief Conductor of the Orchestra of Illinois (1983-88), and music director of the opera in Essen, Germany (1986-90).

He went on to guest-conduct the Chicago Symphony, Cleveland, Philadelphia, San Francisco Symphony, LSO, Philharmonia, RPO, BBC, Orchestre de Paris, Tonhalle-Orchester Zürich, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestra Filharmonica della Scala and more. His last engagement were with New Zealand Opera.

His death, in November, has just been made public.

 

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The next music and artistic director of the Orchestre de la Suisse Romande is to be Jonathan Nott. He succeeds Neeme Järvi at an orchestra that has long failed to punch the weight its finances could buy.

Nott is presently Principal Conductor of the Bamberg Symphony Orchestra (since 2000), Music Director of the Tokyo Symphony Orchestra (since 2014) and Principal Conductor and Artistic Advisor of the Junge Deutsche Philharmonie (since 2014). He’s not saying which, if any, of these he’s giving up when he starts work in Geneva in 2016-17.

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From the press release:

Jonathan Nott named Music and Artistic Director of the Orchestre de la Suisse Romande

Geneva, 28 January 2015 / Neeme Järvi’s successor at the head of the Orchestre de la Suisse Romande will be British conductor Jonathan Nott. Elected new Music and Artistic Director by the overwhemling majority of the orchestra’s musicians and board members, Jonathan Nott will take up his post in the 2016-2017season.

Jonathan Nott says: “It is with huge anticipation and pleasure that I take up this appointment with the distinguished Orchestre de la Suisse Romande. Why anticipation? Because nothing can give a greater sense of freedom to a Music Director, about to embark on a long journey with his orchestra, than the total commitment of his players. So I enter this relationship knowing that I have their overwhelming support to work long and hard together, exploring familiar and new repertoire, and ensuring that this fine ensemble is recognised as one of the foremost in the orchestral scene.”

 

Six hours before show time, the box office must be dead. The hall has just sent this out:

We’re offering a Snow Day Special tonight! See the Mariinsky Orchestra for $20 using promo code SNOW21160.

Tickets for the concert were originally priced at $25.50-$160

 

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The international conductor and violinist Joji Hattori has a new string to his bow.

Joji, artistic director in Palma de Majorca and a regular conductor with the Vienna Chamber Orchestra, has ‘another project that is equally important in my life’.

Next week, he’s opening a Japanese restaurant called Shiki on the Krugerstasse, near the Haus der Musik.

Worth getting there while he’s tuning up.

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The US soprano rocket-launched her fat-booze-and-men book today with a blitz of TV and press interviews.

The phrase that caught our eye was the headline grab above. If it’s going to hurt the people you love, why do it?

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From the Polish tenor, Piotr Beczala:

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‘We were prepared for everything but not for this!!!!!
As one of the greatest singers says : 5 days in the season the voice sounds perfect, incredible ,amazing – and in those 5 days you don’t have performance… today was the day…’

 

Our gola profonda reports:

The sacked artistic director of the opera house in Valencia, Spain, could be up for a plum job in Italy.

A round of musical chairs is being staged in the next few days at Bologna, Cagliari, Napoli, Genova, Bari, Parma, and possibly Florence.

Parma, Verdi’s home town opera house, looks likely to be run by a pair of populist Beppe Grillo’s pals. Neither has opera experience.

Maurizio Roi is tipped to be confirmed in Genova and Nicola Sani in Bologna, both good calls. 

Florence is contemplating Daniele Gatti as music/artistic director, with Zubin Mehta as lifetime honorary conductor. Mehta is best mates with Helga Schmidt.

Watch this space – if Helga misses out on Florence, she may get another house. At 73, she’s not done yet.

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At the Royal Flanders Philharmonic, the Intendant Hans Verbugt has resigned with immediate effect.

Two months ago, music director Edo de Waart did the same, apparently after players complained he was ‘too demanding’.

Antwerp and the EU taxpayer are building a new concert hall for this orchestra. It was due to open later this year, but completion has been delayed to a date yet to be determined. Maybe they should get a Greek to run the show.

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traviata animation

Directed by Emily Knight for English National Opera. Just gone online.

For more ENO/St Martin’s animations, click here.