NEW YORK FESTIVAL OF SONG
Steven Blier, Artistic Director • Michael Barrett, Associate Artistic Director
continues its new series NYFOS AFTER HOURS
with
“A GOYISHE CHRISTMAS
TO YOU!”
Yuletide Classics by Jewish Songwriters
The wildly popular program returns to HENRY’s restaurant
A winter tradition that includes a not-to-be-missed rendition
of “Rudolph the Red Nosed Reindeer” sung in Yiddish
by Cantor Joshua Breitzer with Alan Kay on clarinet
MONDAY, DECEMBER 16, 10:00PM
featuring vocalists
JUDY KAYE
LAUREN WORSHAM
JOHN BRANCY
JOSHUA JEREMIAH
JOSHUA BREITZER, cantor
with
ALAN KAY, clarinet
STEVEN BLIER, piano
HENRY’s Restaurant
2745 Broadway at 105th St.
$10 Cover; Reservations Required:
212-866-0600
Walk-ins welcome at the bar.
The grand arts prize of the Salzburg region, worth 15,000 Euros, is to be awarded on December 3 to Hossam Mahmoud. An Egyptian who has lived in Austria since 1990, Mahmoud, 48, scored a success early this year at the Salzburg Landestheater with his opera, 18 Days.
A small trove of John Cage love letters was found in the estate of an architect’s widow in Los Angeles. In 1934-35, Cage was in love with Pauline Schindler, who was separated from her husband at the time. He was also trying to marry the daughter of a Greek Orthodox priest. Cage was 22, Pauline (pictured) 41. Full text here. The letters were first printed in a specialist journal in 1996. Reading them this morning ((h/t: Michael Nyman) has made my day.
The period of the affair covers the start of Cage’s lessons with the newly-arrived Arnold Schoenberg:
I met Schoenberg and he is simplicity and genuineness itself. There was analysis of the Dance Suite hanging up on the wall like a mural.
(photo: Dorothea Lange)
Here are some further excerpts:
…. The sooner the world forgets Stravinsky the better….
STRAVINSKI! … The evening was pure joy–and I think that this music is natural. There are no mideas” in it. It is, you know it, pagan, physical. It is seeing life close and loving it so. There are no whirring magical mystifications. It is all clear and precisely a dance. It is not “frozen architecture.”
I heard one person say afterwards: Henceforth I shall not take music seriously but shall enjoy it twice as much.” I was furious and turned to him and said, Take it twice as seriously and enjoy it four times as much!…
I took my first lesson in Schoenberg’s class yesterday (Monday)
evening. He is marvelous, indescribable, as a musician. I am going to the last 3
rehearsals. In the class we are analyzing Brahms Symphony No. 4, Kunst der Fuge.
Well tempered Clavichord and Schoenberg. Quartet III (String).
(h/t: Michael Nyman)
