This just in from G. Schirmer, his publisher:

gs-catan-DOE-b-oct10.jpg

Composer Daniel Catán dies. 

 

Acclaimed and beloved composer
Daniel Catán passed away suddenly on
Saturday April 9 at the age of 62. He was in Austin, TX at the time where he was
teaching for a semester at the Butler School of Music, University of Texas.
Cause of death is still to be determined.

 

Catán
is known best for his lyrical romantic
style and especially his operas, the most recent of which, Il Postino premiered with great success at
Los Angeles Opera in September 2010, starring Placido Domingo. His second opera
Florencia en el Amazonas was frequently performed and garnered great
acclaim when it premiered at Houston Grand Opera in 1996.  Florencia en
el Amazonas
 has the distinction of being the first opera in Spanish
commissioned by a major American company. The success of that opera led to the
commission of
 Salsipuedes for Houston
Grand Opera. Catán had recently created a new chamber version of his first opera
La Hija de Rappaccini and was currently at work on his fifth
opera
 Meet John Doe which was due to premiere in October
2012.

 

Born
in Mexico, and later an American citizen, Catán studied philosophy at the
University of Sussex in England before enrolling in Princeton as a PhD student
in composition
. Following his
studies he served as music administrator at Mexico City’s Palace of Fine Arts
(1983-89).

 

Catán’s death is a
great loss to the music world and to the many friends and fans who knew him to
be a very talented, kind, erudite and generous person. He lived in Pasadena,
California and was on the faculty of College of the Canyons. He is survived by
his wife Andrea Puente, three children Chloe, Tom, and Alan, and four
grandchildren.

 

Daniel Catan, a Mexican composer whose greatest success was the opera, Il Postino, that he wrote for Placido Domingo, has died at the age of 62.

Il Postino was premiered by Los Angeles Opera last September and is due to be staged in Houston this month.
Catan, who had been in good health, was found at his home in Austin, Texas, where he was teaching a semester at UT Austin Butler School of Music. He attended rehearsals of Il Postino last week in Houston and was delighted by them.
More as I hear it.

Decca has just announced the signing of a young pianist. His name is Benjamin Grosvenor, he’s 18 years old and there has been an unmistakable buzz about him ever since he came out as top pianist in the BBC Young Musican of the Year contest, aged just 11.

Anyway, he now has a label.
But more remarkable is the realisation that he is the first British pianist Decca have signed for half a century. Not since Clifford Curzon, Moura Lympany and Peter Katin has a Brit got to play on home label. Where has Decca been all this time?
Mostly abroad, on expenses. 
Latterly defunct. Good to have them back.
And another thing. I seem to remember Grosvenor signed an artists development deal with EMI. Nothing came of it. I wonder why?
Press release below.

 

DECCA CLASSICS
SIGNS EXCLUSIVE RECORDING CONTRACT

WITH
BENJAMIN GROSVENOR

 

 

YOUNG BRITISH
TALENT SIGNS RECORD-BREAKING DEAL:

–           First British pianist to
be signed to Decca Classics in nearly 60 years

–           Youngest British artist
ever to sign to Decca Classics

 

 

(Credit: Laurie
Lewis. High-res photo available upon request)

 

 

London, Monday 11
April 2011

 

Decca Classics is delighted to
announce the signing of an exclusive contract with 18-year-old British pianist
Benjamin Grosvenor, who has been described by Jessica Duchen in The Independent
as “one in a million – several million” and “a keyboard visionary who knows no
bounds” (Süddeutsche Zeitung).

 

In doing so, Benjamin becomes the
first British pianist to sign with Decca Classics since Clifford Curzon, Moura
Lympany and Peter Katin first graced the label in the 1940s and 50s, and the
youngest British musician ever to sign to the legendary British imprint. 

 

At the age of 11 Grosvenor was the
youngest ever finalist in the BBC’s Young Musician of the Year competition.
Having been carefully nurtured since the age of 13 by his management Hazard
Chase, he has since achieved critical acclaim worldwide and has now secured a
contract with the major label. This makes him the first British musician to sign
with Decca Classics since it recently stated its intention to bring homegrown
classical talent back to the forefront of its roster.

 

Paul Moseley,
Managing Director of Decca Classics says:

‘This is an enormously significant
moment for Decca. As a British company proud of its heritage what could be more
satisfying than making this agreement with the most exceptional British pianist
to emerge in decades?  Benjamin has evolved from a child prodigy to become an
artist of extraordinary imagination and flair. Above all, he has a sound that is
all his own.  The time is now right for this major new step in what will
certainly be a long and very successful career. We are thrilled to be part of
that and look forward to many landmark projects
together.’

 

Benjamin
Grosvenor says:

‘I am very pleased and excited to
sign this deal with Decca. It is a great honour to be asked to record for a
company with such an illustrious history and which has recorded so many of the
musicians that I admire. I am very much looking forward to getting into the
studio to record such wonderful repertoire.’

 

Benjamin’s first recording of
Chopin’s Four Scherzi, Ravel’s Gaspard de la Nuit and shorter pieces by Chopin
and Liszt will be recorded later this month and released in July. Chopin is one
of Benjamin’s greatest passions and his recent all-Chopin recital at LSO St
Luke’s received much acclaim … “he has built up a glittering career as both
recitalist and concerto performer…the impression we were left with was of the
sweetest physical symbiosis between this player and his instrument” (Michael
Church, The Independent).

 

Benjamin first rose to prominence
when he won the piano section of the BBC Young Musician of the Year 2004 at the
age of 11. Shortly after, he made his debuts at the Royal Albert Hall, London and Carnegie Hall, New
York
.  He has continued to develop an international
presence in Europe, Asia and the USA with performances alongside
renowned orchestras including the London Philharmonic, Philharmonia, Tokyo
Symphony and North Carolina Symphony, with esteemed conductors including
Alexander Lazarev and Vladimir Ashkenazy. Benjamin’s debut sell-out performance
with the Philharmonia was hailed as “a performance that took its expressive and
dramatic cues from the very heart of the music, and in so doing crafted an
interpretation of palpable character and astute panache” (Daily
Telegraph).

 

In addition to his extensive
concerto schedule, Benjamin is an accomplished recitalist and is a regular at
Wigmore Hall and has enjoyed chamber music collaborations with members of the
English Chamber Orchestra.

 

Benjamin is currently in his third
year of studies with Christopher Elton at the Royal Academy of Music in
London and has
recently been chosen to join the BBC Radio 3 New Generation Artists scheme,
which provides regular opportunities with BBC orchestras plus many recital and
festival appearances. 2011 highlights for Benjamin include performances at the
Wigmore Hall, London, Birmingham Symphony Hall,
Snape Maltings, Palais des Beaux Arts, Brussels,
Gstaad Winter Festival, Brescia and Bergamo Festival and Dvorak Prague
Festival, with major additional plans to be announced shortly.

 

 

 

For further
information please contact:

Louise.Ringrose@umusic.com


Placido Domingo has made good his pledge to return to Japan as soon as viable. He was singing in Tokyo this weekend with a new partner, Virginia Tola.

But local reports say the Metropolitan Opera is refusing to confirm whether it will fulfil a Japan tour in June. Understandable amid aftershocks – another one struck today – and general devastation, but a solidarity gesture would not come amiss.
Visits by Domingo and Zubin Mehta are said to be invaluable to the national morale.
.

The Vienna State Opera has announced that it will donateto Japan relief all proceeds from a concert of Mahler’s 9th symphony on the centenary of his death, May 18, 2011

The artist Norman Perryman came by the other day with a dazzling selection of his kinetic and music-themed works. If you’ve ever been to Symphony Hall, Birmingham, you will know his great Mahlerian mural

(c) Lebrecht Music &Arts
but the work that caught my eye this time was a magnificent portrait of the conductor Yakov Kreizberg, who died so young and beloved last month. Norman told me that he got to know Yakov in Amsterdam, while he worked with the Netherlands Philharmonic, and that they planned to work together on a Stravinsky kinetic performance. Here’s Norman’s tribute:  ‘Black and red were his colours – a comment on his cultural origins. But it would take ten more paintings to portray Yakov’s creative ablities and generous, kindly personality.’
181308_Yakov Kreizberg - conducting.jpg


(c) Norman Perryman/Lebrecht Music & Arts. all rights reserved


Barely had this reminscence sunk in than the mail brought Yakov’s last recording – four orchestral tone poems with his violinist discovery, Julia Fischer. The Suk, Chausson and Vaughan Williams pieces are beautifully played and predictably chosen. The opening piece, though, has an epitaph quality. It’s the Poema autunnale by Ottorino Respighi, a gentle, lingering parting from the great noonday glare of life.

May he rest in peace.