Who'd be a cellist?
norman lebrecht
February 20, 2011
In the February issue of The Strad, I reflect on the plight of cello soloists whose agents try to make them play the same three
In the February issue of The Strad, I reflect on the plight of cello soloists whose agents try to make them play the same three
In the February issue of The Strad, I reflect on the plight of cello soloists whose agents try to make them play the same three
Fiona Maddocks in the Observer is the first critic to place Anna Nicole in its musical context, assessing it both in terms of Mark-Anthony Turnage’s
Fiona Maddocks in the Observer is the first critic to place Anna Nicole in its musical context, assessing it both in terms of Mark-Anthony Turnage’s
We use cookies and other technology that recognise you to improve your online experience. By using this site you consent to this use in our Cookie & Privacy Policy | Hosted & Managed in the UK by RocketWP
© 2020 Norman Lebrecht. All rights reserved Terms of Use