Saad Lamjarred is currently the hottest commodity in North African music, with (according to Guiness) the most-viewed Arab video on Youtube, 325 million hits and climbing.
Fame, however, has its drawbacks. A woman who accused him of raping her in New York saw the video and reminded police, through her lawyers, that he had skipped bail six years ago.
His accomplice, Charles Sanford, will be sentenced tomorrow.
The agony is almost over for Mary’s many friends, but the sense of loss will never fade.
The serious German press is full of appreciations for Moidele Bickel, one of the most respected and influential theatre and opera costume designers of the past half century. Moidele died on May 16, aged 79.
She worked closely with Patrice Chéreau, Peter Stein, Luc Bondy, Robert Wilson and George Tabori.
Moidele Bickel backstage with singer Vesselina Kassarova preparing Patrice Chéreau’s “Don Giovanni” at Salzburg Festival 1994 (c) Marion Kalter/LebrechtMusic&Arts
The Ruhr Triennale, founded by Gerard Mortier in 2002, is changing hands for the next three years.
The new team for 2018-20 are Stefanie Carp, intendant, and Christoph Marthaler, director-in-chief.
Stefanie, 6o, is a protégée of Marie Zimmermann, whose early death prevented her from becoming head of the Ruhr Triennale back in 2008.
On the eve of his last production, the outgoing music director is interviewed this morning by Anna Picard for the Times (firewall).
Two key quotes:
I said to them, if you can find £750,000 to protect the full-time chorus, I will stay. When I discovered that was not an option, I began to wonder whether the choice was neither financial nor artistic but political. And once I felt it might have been a political choice, I knew that I wasn’t going to be able to continue.
*
I don’t think it is ever naive to stand up for what you believe in. I felt a huge responsibility to try and protect the musicians and the musical qualities of the company. I cannot imagine a music director who cares about his musicians feeling any different.
Defending the musical quality of the organisation is the job. It stands to reason that when you can no longer maintain that defence, you are no longer able to do your job. I have lost the debate, and am incredibly sad about that, both for myself and for what I believe to be the needs of the company.
Nicola Luisotti has announced he is stepping down as music director of San Francisco Opera in July 2018, after 11 years in the job.
That puts him in line automatically for vacancies at the Met, Munich and, potentially, Covent Garden.
Luisotti, 54, is also music director at San Carlo in Naples, He has been quietly effective in San Francisco, much appreciated by singers but not gaining the wider recognition he deserved.
Becky Hickmore, who was personal assistant to Paul Daniel when he was music director of English National Opera, has been tragically killed with her three year-old daughter, Milly, when her family car came off the M4 motorway and hit a tree.
Becky’s husband, John Taylor, and their elder daughter, Abby, escaped serious injury.
Becky, who was 37, had worked at ENO from June 2004 to February 2007. A friendly and popular member of the company during stressful times, she went on to set up her own executive services firm.
Our shocked condolences to Becky’s family.
The next head of the Teatro Nacional de São Carlos is to be Patrick Dickie, an independent UK opera producer.
A second professor at the Munich Academy of Music is reported to be facing trial for sex offences.
The teacher, named as ‘Hans-Jürgen B.’, has been suspended. He is accused of raping a female student.
He will be brought to trial shortly after the conclusion of the process against the former rector Siegfried Mauser, described by the judge as ‘a groper.’
It’s the album’s 50th anniversary and the Phil are taking it on bootleg tour.
Full Phil programme announced tonight:
Royal Liverpool Philharmonic Orchestra 2016-2017 Season Announced
Vasily Petrenko launches his tenth year as Chief Conductor with a complete Beethoven Symphony cycle in four concerts over ten days
Theme of ‘Revolution’ across the season with the ground-breaking music of J.S. Bach, Beethoven, Berlioz, Stravinsky and The Beatles
50th Anniversary of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band marked with symphonic recreation of entire album and UK tour with the Bootleg Beatles
Artist in Residence – violinist James Ehnes
Andrew Manze and Conductor Emeritus Sir Andrew Davis head a strong line-up of visiting conductors
Guest artists include violinists Nicola Benedetti and Baiba Skride, violist Lawrence Power; pianists Daniil Trifonov, Paul Lewis, Garrick Ohlsson and Alexandre Tharaud, oboist François Leleux, guitarist Craig Ogden and harpsichordist Mahan Esfahani
Singers include Ian Bostridge, Elin Manahan Thomas, Toby Spence and stars of the West End stage
Prestigious chamber music series at Liverpool’s St. George’s Hall Concert Room puts the focus on J.S. Bach
Carl Davis celebrates his 80th birthday with the Royal Liverpool Philharmonic Orchestra
Ian Bostridge joins James MacMillan and massed Liverpool Philharmonic Choir and Orchestra to celebrate the 50th Anniversary of Liverpool’s Metropolitan Cathedral
Film screenings with live orchestra include Psycho and E.T. The Extra Terrestrial as well as the Classic FM series, tributes to Queen, Hollywood, the West End and more
He’s speaking on the subject at the Omera America conference in Montreal tomorrow.
Should be interesting. Feel free to feed highlights to Slipped Disc.
OPERA America, the national service organization for opera and the nation’s leading champion for American opera, is pleased to announce details of Opera Conference 2016: Global Strategies/Local Actions, to be held in Montréal, Québec, from May 18–21. Hosted by Opéra de Montréal in association with Opera Volunteers International, this annual gathering of opera professionals — the largest in North America — will convene at Le Westin Montréal and venues throughout the metro area. This marks the first time in OPERA America’s 46-year history that the conference will be held in Montréal and the fifth time in Canada.
With more than 500 industry leaders in attendance, OPERA America’s annual conference presents a unique opportunity to examine issues affecting the opera community from a variety of perspectives. With the theme “Global Strategies/Local Actions,” conference attendees will examine global trends — from within and outside the opera world — that can inform the bold decisions needed to amplify opera’s civic impact and bring vitality to both time-honored and new repertoire.
OPERA CONFERENCE 2016 HIGHLIGHTS
Topics planned for opera conference attendees cover all facets of the art form and address the concerns of creators, administrators, trustees and supporters. Highlights of the many conference-wide sessions, performances and showcases include the following:
The Opening Assembly, featuring discussions with François Girard, film and stage director, and Simon Brault, director and CEO of the Canada Council for the Arts;
General Session: Global to Local — Strategies for Opera, featuring a presentation from Bernard Foccroulle, general director of Festival d’Aix-en-Provence, about how opera can take on broad issues that have local resonance, followed by a discussion with Pierre Dufour, executive director of Opéra de Montréal, Ned Canty, general director of Opera Memphis, and Perryn Leech, managing director of Houston Grand Opera;
General Session: The Festival Effect, offering insights from Gilbert Rozon, founder and chairman of Just For Laughs, and André Ménard, co-founder and artistic director of Festival International de Jazz de Montréal, about how they have used the festival model to their advantage;
General Session: Reflections from Peter Gelb, featuring reflections from the Metropolitan Opera general manager on his 10 years leading the company;
Thirty open sessions featuring an array of topics and experts from within and beyond the opera field, such as Opera Repertoire: Energizing Old and New with Philip Kennicott, Pulitzer Prize-winning journalist of The Washington Post; designer John Conklin; Kasper Holten, director of opera, Royal Opera House, Covent Garden; Robert Marx, president, the Fan Fox and Leslie R. Samuels Foundation; Zizi Mueller, creative consultant, Boosey & Hawkes; and Deborah Sandler, general director and CEO, Lyric Opera of Kansas City.
Seminars: five intensive skill-building workshops on topics such as Business Planning for Artists and Entrepreneurs;Elevating Your Marketing Efforts on a Budget; Equity, Diversity and Inclusion in the Arts; Making Meaning of Your Arts Ecosystem; and Strengthening Fundraising and Leadership Capacities;
Session groupings focused on special themes, such as diversity in opera, as seen in Beyond Lip Service: Equity-Based Opera Leadership (open session) and Equity, Diversity and Inclusion in the Arts (seminar);
Two World Premieres: The Trials of Patricia Isasa by Kristin Norderval and Naomi Wallace (presented by Chants Libres on May 19) and Les Feluettes (Lilies) by Kevin March and Michel Marc Bouchard (presented by Opéra de Montréal on May 21);
The New Works Forum, which nurtures more informed opera producers and creators, and establishes stronger relationships among them;
The Singer Training Forum, for those who are dedicated to the identification and development of aspiring singers; and
The New Works Sampler, with performances of Canadian and American works in progress and recent premieres, to take place at the Place des Arts.
Thieves broke into the Vienna State Opera and plundered 53 safe boxes in the artists’ area on Sunday, it was admitted today.
They stole cash, phones and small items, leaving instruments untouched.
Musicians discovered the theft just before Sunday’s performance of Mayerling.